Revisiting and evolving your sequences
// a 25 minute class opening and three other classes to revisit
Dear Humans,
I woke up this morning with a sore throat, so I’m going to give myself the gift of rest today, which means I’m not filming something new, but I wanted to send you something lovely from the WITIYTW Archives: a 25 minute class opening, featuring two seated flows, a sun A variation, and a sun B variation.
Pulling from the archives has me reflecting on revisiting our old sequences and making them fresh.
We live in an era of creation and generation. It seems like the demand for what’s “new” and “fresh” is at an all time high. But there are pros and cons to always teaching something new.
When you teach something for the first time it will always feel a little bit clunky. That’s why being a new yoga teacher can feel overwhelming, because everything is new! But overtime you get comfortable with teaching those “new” things (you start to nail down your sun salutations, you can cue through a warrior sequence with ease). With that as a base, you’re able to branch out and add more movements into your repertoire.
But if you’re teaching a class and every single sequence or mini-sequence is brand new to you, then the class is likely going to feel overwhelming to teach.
I’d like to suggest that a confident teacher always balances teaching things that they feel really comfortable teaching, while incorporating a few “stretch” elements. By “stretch” I don’t mean in the physical sense, I mean a growth area; something that you are teaching for the first or second time, so it might feel slightly challenging to teach it.
If you always have a nice mix in your classes of comfort and stretch in your teaching, then your students should experience two things: they should be able to feel centered, calm, and be able to drop in during the parts of class where your ease and confidence is shining during the familiar parts; and they should be able to see the intrigue and creativity of the new elements you’re incorporating, even if the cuing starts out a little clunky.
This is beneficial for you, too, as a teacher. It will allow you to drop in and out of ease within your teaching. Ease helps us stay calm and centered. Stretch teaching helps us evolve and grow.
I’ll say another thing here, too: Each time you teach a sequence, it will feel unique. Because you’re a different teacher every time you step on the mat. Your energy is different that day, you emotions, your intentions. The same is true for students.
So one of my favorite ways to get inspired around what I’m going to teach, especially if I’m not in “creation mode,” is to pull up an old sequence (now, all my sequences are here and I can search through them, which is amazing), and I look at that old sequence, I flow through it once as it originally was, then I see if I’m being called to tweak it or change it. Usually I do change it a little bit, and usually it’s for the better, because I can see things now that I couldn’t see the first time I taught it.
It has become a new class, but it allows me to keep practicing and working on movement patterns and cuing through a sequence that I’ve already taught, enabling me to get better skilled at teaching it.
I want to share three classes that felt like “stretch” classes for me to teach. I plan to revisit them and teach them again soon:
This class integrates the yoga strap throughout the entire class for activation and intrigue. It was fun to teach, but definitely kept me on my toes!
The peak flow and cool down in this class takes us to bird of paradise and also to cow face in a really fun way, I’d love to bring this back to my class!
This heart opening flow is melty and juicy, I was inspired in the sequence by a teacher I met in Sweden, so the movements were new to me in energy, next time I teach it I think I’ll be even more comfortable! (Plus, what I wrote about in this post really connects to today’s topic)
Alright my friends, I hope that this topic was interesting to you, even without a brand new video. I hope that you get the chance to look back through this old sequences and perhaps you pick out a few things that you want to revisit or maybe try for the first time. Any thoughts? I love to hear from you!
I’ll be sending What I Read in Yoga This Month out over the new few days, so I’ll see you soon. Until then, time for bed and some tea.
Sending love,
Izzy
Izzy Martens
author, yoga teacher, sequence enthusiast
www.yogahumans.com
the opening
I started this class from our backs. I always encourage the students to move and wiggle a bit before settling in. Then I left them in reclined butterfly pose. (If you have access to blocks, a block under each femur bone is great).
opening floorwork
knees to chest, circles
one leg extends
point / flex ankle
ankle circles
hug knee in
supine twist (gentle, let the opposite shoulder lift)
roll to center and repeat on other leg
seated flow 1
roll up to seated
arms over head
open arm twist
keep front hand on knee and twist chest to center
side stretch
swoop down and around
side stretch other side
inhale arms up to center
repeat on other arm
seated flow 2
arms up
cactus arms
backbend - lift gaze, pull shoulder blades together
coil - drop gaze and bring forearms to touch
open arm twist - elbows stay bent
coil to center
open arm twist -other side
inhale arms up
exhale hands to heart center
table flow
table top
cat / cows
spinal waves from table
downward dog
tip toe up to rag doll
add shoulder expansion
release arms and coil up to mountain
shoulder shrug
Sun Salutation A Sequence
Half Sun Salutation A
mountain
extended mountain
forward fold
half lift
forward fold
extended mountain
mountain
cactus flow from standing
cactus arms
backbend - lift gaze, pull shoulder blades together
coil - drop gaze and bring forearms to touch
open arm twist - elbows stay bent
coil to center
open arm twist -other side
inhale arms up
forward fold
half lift
step back to plank
lower to belly
intimidation cobra shoulder dips
plank to downdog
travel forward
half lift
extended mountain
hands to heart
Sun B Flow
extended mountain
chair plane
one legged mountain
open arm cactus twist
center
scarecrow
dancing tree
mountain
forward fold
half lift
low lunge (one foot steps back)
low crescent lunge
exalted twist
exalted twist other side
half splits
low lunge
dancing pyramids with arm swoops
wide legged fold
add spinal waves
low lunge
vinyasa of choice!
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If you’re new here – hello!
Let me introduce myself! My name is Izzy Martens and I’m just a human who teaches yoga, writes, hangs out with her two cats, hikes around Colorado, and enjoys creating yoga sequences.
Read more about the history of this newsletter, Yoga Humans, and my ethos below.
Hope you are feeling much better soon ❤️
Thanks as always Izzy and hope you’re feeling better. Can you explain this term “vinyasa of choice!” I hear it a lot in my classes and it’s been explained a bit but I’d love to know how to practically “choose”. What am I choosing from? What’s available to me here?